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Powered by internal DSP, each mix can be routed to any of the outputs including the two headphones jacks. A second Studio-Capture can be easily daisy-chained to double the I/O count. The 14 analog volume filters provide hands-on control, while PC connection and an iPad GUI software enable advanced configuration and remote operation. For reach I used a really long Sennheiser interference tube microphone called an MKH70. I also had a DPA gun mic that could take a bit more sound pressure if I thought something was really going to go off. They’re really compact, quite powerful and they have a really great matrix that allows you to send anything anywhere. Here we had our live piano performing and three ProTools systems, operated by music editors Rob Houston, John Warhurst and myself.